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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
4 is used so often that it is also called "common time", and it may be indicated with rather than numbers. Other frequently used time signatures are 3 4 (three beats per bar, with each beat being a quarter note); 2 4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
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(This is why the Pythagorean comma is also called a ditonic comma.) The diminished second , in Pythagorean tuning, is defined as the difference between limma and apotome. It coincides, therefore, with the opposite of a Pythagorean comma, and can be viewed as a descending Pythagorean comma (e.g. from C ♯ to D ♭ ), equal to about −23.46 cents.