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The glockenspiel is limited to the upper register and typically covers between 2 + 1 ⁄ 2 and 3 octaves, though certain professional models may reach up to 3 + 1 ⁄ 2 octaves. [4] The glockenspiel is often a transposing instrument and sounds two octaves above the written pitch, though this is sometimes remedied by using an octave clef. [5]
The main emphasis of the front ensemble are the mallet instruments: marimba, vibraphone, glockenspiel, chimes, crotales, and xylophone. Some marching band circuits also allow non-standard instruments (such as the violin ) or electronic instruments (such as synthesizers and bass guitars ) in the pit.
See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are made of wood or cheap steel tubing: more expensive xylophones feature height adjustment and more stability in the stand.
See also untuned percussion Pitched percussion: A glockenspiel and a set of crotales in use.. This subsection is traditionally called tuned percussion, [2] however the corresponding term untuned percussion is avoided in modern organology in favour of the term unpitched percussion, so the instruments of this subsection are similarly termed pitched percussion.
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He experimented with the instrument's acoustics and tuning, and developed the first "scientifically tuned" glockenspiel. On the Sensations of Tone by German physician and physicist Hermann von Helmholtz was a strong influence on Deagan's advances. [6] The company remained in the control of Deagan's descendants for two generations beyond.