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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
Ephesians 4:1–16. A chapter on unity in the midst of the diversity of gifts among believers. [22] Ephesians 4:17–6:9. Instructions about ordinary life and different relationships. [23] Ephesians 6:10–24. The imagery of spiritual warfare (including the metaphor of the Armor of God), the mission of Tychicus, and valedictory blessings. [24]
Scriabin himself called this set of pitches, voiced as the simultaneity (in ascending order) C F ♯ B ♭ E A D the "mystic chord". Others have referred to it as the "Promethean chord". It may be thought of as C Lydian-Mixolydian. It can also be though as a triad pair: a minor triad and an augmented triad 1/2 step up.
Ephesians 2 is the second chapter of the Epistle to the Ephesians in the New Testament of the Christian Bible.Traditionally, it is believed to have been written by Apostle Paul while he was in prison in Rome (around AD 62), but more recently it has been suggested that it was written between AD 80 and 100 by another writer using Paul's name and style.
Ephesians 6 is the sixth and final chapter of the Epistle to the Ephesians in the New Testament of the Christian Bible.Traditionally, it is believed to be written by Apostle Paul while he was in prison in Rome (around AD 62), but more recently, it is suggested to be written between AD 80 and 100 by another writer using Paul's name and style.
The composer repeats the theme in the upper voice and the piece ends. The repetition of the theme contains very little variation (or no variation at all) on the original theme. The lower line usually plays the countersubject, and if there is no countersubject, plays in free counterpoint.
[1] Bible Gateway's engagement features include the ability to display a single Bible verse in many English Bible translations, the ability to display and compare up to five Bible translations side by side at once, its daily Blog, more than 60 email devotions, Bible reading plans and verses-of-the-day, a free mobile app, audio Bibles, video ...