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Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
Mainstream Shakespeare scholars maintain that biographical interpretations of literature are unreliable for attributing authorship, [10] and that the convergence of documentary evidence for Shakespeare's authorship—title pages, testimony by other contemporary poets and historians and official records—is the same as that for any other author ...
H. L. Mencken wrote a withering review of the work, concluding that it makes sorry reading for those who revered Twain. [68] In 1918, Professor Abel Lefranc, a renowned authority on François Rabelais, published the first volume of Sous le masque de "William Shakespeare" in which he provided detailed arguments for the claims of the Earl of ...
He was a founder of the modern Shakespeare Fellowship, an organization that promotes Edward de Vere, 17th Earl of Oxford, as the true author of the works of William Shakespeare. [1] He is one of the leading modern-day advocates of the Oxfordian theory of Shakespeare authorship, [2] and has been called the “first professional Oxfordian scholar ...
In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Greenstreet's theory was revived by the American writer Robert Frazer, who argued in The Silent Shakespeare (1915) that the actor William Shakespeare merely commercialised the productions of other authors, mainly by adding vulgar comic scenes. He believed that Derby was the principal author of the more elevated material in the Shakespeare plays ...
In the afterword of the 2000 young adult novel A Question of Will, author Lynne Kositsky addresses the debate over who really wrote Shakespeare's plays, supporting the Oxfordian theory. [209] Oxfordian theory, and the Shakespeare authorship question in general, is the basis of Amy Freed's 2001 play The Beard of Avon. [210]
Sir Stanley William Wells, CBE (born 21 May 1930) is an English Shakespearean scholar, writer, professor and editor who has been honorary president of the Shakespeare Birthplace Trust, professor emeritus at Birmingham University, and author of many books about Shakespeare, including Shakespeare Sex and Love, and is general editor of the Oxford Shakespeare and New Penguin Shakespeare series.
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