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Pietà, Swabian, c. 1435-40. It was acquired by the Cloisters in 1948 using the Jacob S. Rogers fund, having previously been in the collection of the collector and art historian Lucien J. Demotte, [9] of Paris and New York. [7]
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
youtube-dl -F <url> The video can be downloaded by selecting the format code from the list or typing the format manually: youtube-dl -f <format/code> <url> The best quality video can be downloaded with the -f best option. Also, the quality of the audio and video streams can be specified separately and merged with the + operator. [35]
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The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]
Rogier van der Weyden, Pietà, c 1441. [1] Oil on oak panel, 32.5cm x 45.8cm. Royal Museums of Fine Arts of Belgium. Pietà is a painting by the Flemish artist Rogier van der Weyden dating from about 1441 held in the Royal Museums of Fine Arts of Belgium, Brussels.
The theme of the Pietà, so dear to the sculptor Michelangelo, is addressed in a highly emotional composition, as in the Crucifixion for Colonna. The dead Jesus is cradled between the grieving Mary's legs, who raises her arms to heaven as two angels also raise Christ's arms at right angles.
The Pietà is an oil on canvas painting, one of the last paintings by Titian, from 1575-1576.In its final, extended state it was left incomplete at his death, in 1576, to be completed by Palma Giovane.