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Lockwood's black-and-white building at Chester Cross. The Black-and-white Revival was a mid-19th-century architectural movement that revived historical vernacular elements with timber framing. The wooden framing is painted black and the panels between the frames are painted white. The style was part of a wider Tudor Revival in 19th-century ...
The White House's art collection, sometimes also called the White House Collection or Pride of the American Nation, [1] has grown over time from donations from descendants of the Founding Fathers to commissions by established artists. [2] It comprises paintings, sculptures, and other art forms. [3]
The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. In Singapore, then a British colony, architects such as Regent Alfred John Bidwell pioneered what became known as the Black and White House.
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He made connections between the Black Paintings and other works by Goya (e.g. The Second of May 1808), and pointed to various documentary evidence, including an 1812 inventory of the artist's possessions catalogued by Goya's son, Javier, which included the work. Today, Museo del Prado recognise the Black Paintings as authentic. [22] [23] [24]
The term "black and white" derives from presence of many timbered and half-timbered houses in the area, some dating from medieval times. The buildings' black oak beams are exposed on the outside, with white painted walls between. The numbers of houses surviving in this style in the villages creates a very distinctive impression and differs from ...
The President's House. White House Historical Association and the National Geographic Society: 1986. ISBN 0-912308-28-1. Seale, William, The White House: The History of an American Idea. White House Historical Association: 1992, 2001. ISBN 0-912308-85-0. West, J.B. with Mary Lynn Kotz. Upstairs at the White House: My Life with the First Ladies.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.