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The Artist's Handbook of Materials and Techniques is a reference book by Ralph Mayer (1895–1979). [1] Intended by the author for use by professional artists, it deals mostly with the chemical and physical properties of traditional painterly materials such as oil, tempera, and encaustic, as well as solvents, varnishes, and painting mediums.
Mayer, Ralph; Sheehan, Steven (1991). The Artist's Handbook of Materials and Techniques. Viking. ISBN 978-0-670-83701-4. Rankin, Lissa (2010). Encaustic Art: The Complete Guide to Creating Fine Art with Wax. Watson-Guptill Publications. ISBN 978-0-8230-9928-3. Reams, Maxine. "Unique Wax Paintings by Immigrant Artist should Endure 10,000 Years."
Toch’s outspoken views about the use of chemical analysis in authenticating works of art became controversial in the 1920s (Hendrick 1929), when he claimed that the majority of paintings attributed to Rembrandt had not in fact been painted by him (Toch 1931b [clarification needed]), including works in the collections of art museums. As a ...
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Fat over lean refers to the principle in oil painting of applying paint with a higher oil to pigment ratio ('fat') over paint with a lower oil to pigment ratio ('lean') to ensure a stable paint film, since it is believed that the paint with the higher oil content remains more flexible.
Abt, Jeffrey (1986) The Book Made Art: A Selection of Contemporary Artists' Books; Alexander, Charles, ed. (1995) Talking the Boundless Book: Art, Language, and the Book Arts; Bernhard Cella(2012) Collecting Books: A selection of recent Art and Artists' Books produced in Austria, a YouTube Video that is part of the project.
Mayer International Auction Records aka Guide Mayer is listing international art auctions results as a dictionary for both fine art amateurs and collectors as well as art market professionals like galleries and auctioneers. 800 auction houses from 40 countries contributed information to the publication. 1.5 million records have been collected on more than 100,000 artists of over 100 different ...
Jacques Maroger (French pronunciation:; 1884–1962) was a painter and the technical director of the Louvre Museum's laboratory in Paris.He devoted his life to understanding the oil-based media of the Old Masters.