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Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama. Modern Japanese theatre includes shingeki (experimental Western-style theatre ...
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The National Noh Theatre (国立能楽堂, Kokuritsu Nōgaku Dō) opened in Sendagaya, Shibuya, Tokyo, Japan in September 1983. [1] The auditorium seats 591 for performances of Noh and Kyōgen , and there is also a rehearsal stage, exhibition area, lecture room, and reference library. [ 2 ]
Five Modern Noh Plays is a collection of plays written by Japanese writer Yukio Mishima. Mishima wrote these plays between 1950 and 1955 and presented them as modern plays in Tokyo. Of these five, only The Damask Drum was expressed in the traditional Noh fashion. [1] The Lady Aoi was expressed as a Western-style opera. The plays take older Nō ...
Ataka, along with the two other mainstays of classic repertory of Noh - Izutsu and Atsumori - had a continuous performance tradition that spanned five to six centuries. [ 4 ] Kanze Nobumitsu was a playwright and actor from the Muromachi period , and is considered one of the last important playwrights of the golden age of Noh.
Izutsu (井筒, The Well Cradle) is a classic Noh play written by Zeami, the dominant figure in the early history of Noh theatre.. Izutsu is based on an old story, Tsutsu-Izutsu (筒井筒), from the Ise monogatari, a 10th-century collection of stories, many of which are based on stories about the romantic encounters of a "certain man", traditionally identified as the poet Ariwara no Narihira.
It is one of the few Noh plays where the supporting waki (脇) rather than the normally leading shite (仕手) dominates the action. [8] It is suggested that this can be attributed to the fact that Nobumitsu used to play waki roles when he was an actor. [9] The shite character in this play only makes an appearance at the end and has no dialogue ...
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