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The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. A suncatcher is like the optical equivalent of a wind chime. Some designs are simple and abstract with perhaps some mobile -like chained elements, while more ...
Clement Heaton (1824–82) [3] founded his own stained glass firm in 1852, joined by James Butler in 1855. Between 1859 and 1861 they worked alongside Clayton and Bell and were joined by Robert Turnill Bayne (1837–1915), who became their sole designer and a full partner in the firm in 1862. The firm was known as Heaton, Butler and Bayne from ...
Ervin Bossányi (3 March 1891 in Rigyica / Riđica, Austria-Hungary – 11 July 1975 in Eastcote in Greater London, England) was a Hungarian artist, who worked mainly in northern Germany until his emigration in 1934. He then started a new career as a notable stained glass artist in England.
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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