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Crossing the Bar. " Crossing the Bar " is an 1889 poem by Alfred, Lord Tennyson. It is considered that Tennyson wrote it in elegy; the narrator uses an extended metaphor to compare death with crossing the "sandbar" between the river of life, with its outgoing "flood", and the ocean that lies beyond death, the "boundless deep", to which we return.
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Tam o' Shanter (poem) The opening scene of the poem – Tam drinks with his shoemaker friend, souter Johnnie, and flirts with the pub landlady while the landlord laughs at Johnnie's tales. " Tam o' Shanter " is a narrative poem written by the Scottish poet Robert Burns in 1790, while living in Dumfries. First published in 1791, at 228 (or 224 ...
Poetry portal; This article is within the scope of WikiProject Poetry, a collaborative effort to improve the coverage of poetry on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Poetry Wikipedia:WikiProject Poetry Template:WikiProject Poetry Poetry ...
Paul Laurence Dunbar. Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child.
Thirty-two-bar form. "Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1] The 32- bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th ...
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Dover Beach. " Dover Beach " is a lyric poem by the English poet Matthew Arnold. [1] It was first published in 1867 in the collection New Poems; however, surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.
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