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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Frank Zappa. " Inca Roads " is the opening track of the Frank Zappa and the Mothers of Invention 1975 album, One Size Fits All. The song features unusual time signatures, lyrics and vocals. The marimba -playing of Zappa's percussionist Ruth Underwood is featured prominently. The song was played in concert from 1970 [5] to 1976, 1979 and 1988.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
Producer (s) Jimmy Page. Audio sample. file. help. " The Ocean " is a song by English rock band Led Zeppelin, from their 1973 album Houses of the Holy. The ocean is a metaphor for the "sea of heads" faced by lead singer Robert Plant "in the auditoriums", according to the group's biographer Dave Lewis. [2][3][4]
Forty Six & 2" is a song by American rock band Tool. It was released as the fourth single from their second studio album Ænima in 1996 and received radio airplay. [ 1 ] In March 2023, Rolling Stone ranked "Forty Six &2" at number 53 on their "100 Greatest Heavy Metal Songs of All Time" list.
The original version was composed in duple time (i.e., in a time signature of 2 4 ) and was changed to the present quadruple time ( 4 4 ) in the 1920s to make singing easier by reducing emphasis on syncopation .
4 time, an unorthodox meter which the band also used in "Spoonman". [2] Guitarist Kim Thayil has said that Soundgarden usually did not consider the time signature of a song until after the band had written it, and said that the use of odd meters was "a total accident."