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To Be and To Have (French: Être et avoir; also the UK title) is a 2002 French documentary film directed by Nicolas Philibert about a small rural school. It was screened as an "Out of Competition" film at the 2002 Cannes Film Festival [2] and achieved commercial success. [3] The film became the subject of an unsuccessful legal action by the ...
The Class. (2008 film) The Class (French: Entre les murs, lit. 'Between the walls') is a 2008 French drama film directed by Laurent Cantet, based on the 2006 novel of the same name by François Bégaudeau. The novel is a semi-autobiographical account of Bégaudeau's experiences as a French language and literature teacher in a middle school in ...
In 2001, Nicolas Philibert made Être et avoir, about daily life in a single class school on a small village in the Auvergne. It won the Prix Louis Delluc 2002, and became a box office and critical success in France and internationally. The film was screened out of competition at the 2002 Cannes Film Festival. [12]
Etre et avoir: Documentary portrait of life in a tiny one-class primary school in France's Auvergne. . 11 Oct 2007: The Ministry of Truth: Documentary about Richard Symons' campaign for truth in the Houses of Parliament. . 11 Oct 2007: Oona and Me: Documentary about ex-Labour MP Oona King. . 8 Oct 2007: Sitting for Parliament
Mia Farrow was wrestling with her own personal challenges while facing onscreen demons on the set of Rosemary's Baby. The actress, 79, appeared on the Nov. 8 episode of The Drew Barrymore Show ...
Au revoir les enfants. Au revoir les enfants (French pronunciation: [o ʁə.vwaʁ le zɑ̃.fɑ̃], meaning "Goodbye, Children") is an autobiographical 1987 film written, produced, and directed by Louis Malle. [1] It is based on the actions of Père Jacques, a French priest and headmaster who attempted to shelter Jewish children during the ...
France portal. v. t. e. Gabriel Honoré Marcel[a] (7 December 1889 – 8 October 1973) was a French philosopher, playwright, music critic and leading Christian existentialist. The author of over a dozen books and at least thirty plays, Marcel's work focused on the modern individual's struggle in a technologically dehumanizing society.
Upon the film's release, Le Monde called Jeanne Dielman the "first masterpiece of the feminine in the history of the cinema". [14] Scholar Ivonne Margulies says the picture is a filmic paradigm for uniting feminism and anti-illusionism. [11] The film was named the 19th greatest film of the 20th century by J. Hoberman of the Village Voice. [15]
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