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Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the horse he leads are sharply delineated against the dark background and the mid tones of the clothing of ...
The schoolmaster Ichabod Crane is fleeing on a white horse, pursued by the Headless Horseman on a black horse. In one hand, the Headless Horseman is holding a pumpkin, which he is preparing to throw at Crane. Visible in the background is the Old Dutch Church of Sleepy Hollow and the adjacent Sleepy Hollow Cemetery, and the full moon.
He is an anthropomorphic white horse, wearing a red Stetson cowboy hat, a red holster belt, a light blue bandana, and occasionally spurs. He was voiced by Daws Butler . [ 12 ] All 45 of his cartoons that originally aired between 1959 and 1961 were written by Michael Maltese , known best for his work at the Warner Bros. cartoon studio.
The black horse is also a magical mount capable of speech in a tale from the More Celtic Fairy Tales, [205] and a young man who has learned to metamorphose in a Russian folk tale by Alexander Nikolayevich Afanasyev. [206] In British folklore, the leprechaun Puck sometimes takes on the appearance of the black horse to frighten people. [207]
white 馬 horse 非 is not 馬 horse 白 馬 非 馬 white horse {is not} horse — Gongsun Longzi The White Horse Dialogue in Chinese philosophy is a debate between two unnamed speakers on a proposition often translated as 'a white horse is not a horse'. It appears in the Warring States period text Gongsun Longzi attributed to Gongsun Long, grouped under the philosophical School of Names in ...
In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war , conflict, and strife. [ 4 ]
A tradition first recorded in 1492 reports that the 8th-century Saxon ruler Widukind displayed a black horse as his field sign. [4] Historian James Lloyd suggests that "the Saxon Steed motif was invented in the 14 century …. as a faux ancient symbol for the Saxons", being derived from an account by Gobelinus of the myth of Hengist and Horsa ...
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279