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An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.
Harmor is powered by an additive synthesis engine, similar to Image-Line’s synthesizer Morphine. [1] Although the different additive modules and controls found in Harmor can look similar to more conventional synthesizers that utilize subtractive synthesis, its sound generation engine differs in that it sums its partials later in the signal chain (right before the FX stage) compared to some ...
A basic Direct Digital Synthesizer consists of a frequency reference (often a crystal or SAW oscillator), a numerically controlled oscillator (NCO) and a digital-to-analog converter (DAC) [5] as shown in Figure 1. The reference oscillator provides a stable time base for the system and determines the frequency accuracy of the DDS.
The leader oscillator's pitch is generated by user input (typically the synthesizer's keyboard), and is arbitrary. The follower oscillator's pitch may be tuned to (or detuned from) this frequency, or may remain constant. Every time the leader oscillator's cycle repeats, the follower is retriggered, regardless of its position. If the follower is ...
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal. [1] FM synthesis can create both harmonic and inharmonic sounds.
"DLS" is an acronym for "Downloadable Sounds", and also the initials of DLS 1 project leader Dave Sparks of Creative Labs. To date there have been three major versions of DLS: DLS 1: Basic single-oscillator synthesizer voice, for PCs and PC sound cards; DLS 2: Adds per-voice lowpass filter + other enhancements
It used the synthesizer technology of the CZ-101 in a 100 tone preset sound bank, had a mini keyboard of 49 keys, incorporated the RZ1 drum computer technology and had a built-in speaker. Only four of the sounds in the sound bank could be programmed by linking the synthesizer to a computer via its MIDI port.
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