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An African-American gospel song, "C'aint no grave," has been traced back to a 1933 Chuch of God in Christ hymnal by blogger Debi Simons [1]. That version was recorded by Bozie Sturdivant in July 1942 (and released in 1943 as "Ain't No Grave Can Hold My Body Down") in a slower, gospel style and in 1946-7 by Sister Rosetta Tharpe with barrelhouse ...
The chorus sees West singing: "We gon' praise our way out the grave, dawg / Livin', speakin', praise God / Walkin' out the graveyard back to life / I serve, follow your word / See with a sight", before his mother finishes the last line of the chorus by saying, "Into the night".
"Ain't No Grave" is a song performed by Bethel Music and Molly Skaggs which was released as a promotional single from Bethel Music's eleventh live album, Victory (2019), on January 4, 2019. [1] The song was written by Jonathan David Helser, Melissa Helser and Molly Skaggs, with Claude Ely receiving a posthumous credit for the interpolation of ...
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
Angel Mine (lyrics by Williams, recorded by Sheryl Crow for The Lost Notebooks of Hank Williams) At the First Fall of Snow; Are You Building a Temple in Heaven? A Mansion on the Hill (co-written with Fred Rose with possible contributions from Audrey Williams) Are You Walkin' and a Talkin' For the Lord? A Stranger in the Night (co-written with ...
It appeared on the Makoma album Na Nzambe Te, Bomoyi Te (also known as No Jesus, No Life). [7] The song was also translated into: Czech – "Tvoje jméno vyznávám" (I profess Your name) Cantonese - "讓我高舉頌讚祢" (May I Lift and Praise You) [8] Dutch – "Heer, ik prijs uw grote naam" (Lord, I praise Your great name)
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"Were You There (When They Crucified My Lord)" is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century. [ 1 ]