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In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). [ 2 ] An example of dactylic meter is the first line of Henry Wadsworth Longfellow 's epic poem Evangeline (1847), which is in dactylic hexameter :
The pyrrhic is rightfully dismissed. Its existence in either ancient or modern rhythm is purely chimerical, and the insisting on so perplexing a nonentity as a foot of two short syllables, affords, perhaps, the best evidence of the gross irrationality and subservience to authority which characterise our Prosody. [4]
The English word "foot" is a translation of the Latin term pes, plural pedes, which in turn is a translation of the Ancient Greek πούς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, [2] that is, a place where the foot was raised ("arsis") and where it ...
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron). Monosyllable; Disyllable: metrical foot consisting of 2 syllables.
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A version of the foot in poetry in which the first two syllables of a line are unstressed, followed by a stressed syllable; e.g. intercept (the syllables in and ter are unstressed and followed by cept, which is stressed). [22] anaphora anastrophe anecdote A short account of a particular incident or event, especially of an interesting or amusing ...
Syllables which end in a short vowel, like the first syllable of Greek πα-τήρ or Latin pa-ter ' father ', are treated as short; syllables which contain a long vowel or diphthong, or which ended with a consonant, like the first syllable of Rō-ma ' Rome ', sae-pe ' often ', or stul-tus ' foolish ', were treated as long.
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