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Electric épée fencing: Diego Confalonieri (left) and Fabian Kauter in the final of the Trophée Monal While the modern sport of fencing has three weapons — foil, épée, and sabre, each a separate event — the épée is the only one in which the entire body is the valid target area (the others are restricted to varying areas above the waist).
Fencing is a combat sport that features sword fighting. [1] The three disciplines of modern fencing are the foil, the épée, and the sabre (also saber); each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline.
Sabre – A fencing weapon with a flat blade and knuckle guard, used with cutting or thrusting actions; a military sword popular in the 18th to 20th centuries; any cutting sword used by cavalry. The modern fencing sabre is descended from the dueling sabre of Italy and Germany, which was straight and thin with sharp edges, but had a blunt end.
Late medieval gothic plate armour with list of elements. The slot in the helmet is called an occularium. This list identifies various pieces of body armour worn from the medieval to early modern period in the Western world, mostly plate but some mail armour, arranged by the part of body that is protected and roughly by date.
George S. Patton Jr., while still a young lieutenant, was named "Master of the Sword," an honor reserved for the top instructor. He invented what came to be known as the "Patton Saber," in 1913, based on his studies with M. Clery L'Adjutant, reputed to be the finest Fencing Master in Europe at the time.
a general introduction to fighting with the long sword (the sword held with both hands on the grip) a division into seventeen parts or techniques (also known as Liechtenauer's "17 chief pieces" or Hauptstücke) of fighting with the long sword. The general introduction is ethical as well as practical and begins as follows:
From sword and buckler to sword and dagger, sword alone to two-handed sword, from polearms to wrestling (though absent in Manciolino), early 16th-century Italian fencing reflected the versatility that a martial artist of the time was supposed to have achieved. [7]
An example is would-be master Joachim Meyer, who based his early rapier fencing on Lichtenauers principles, which was considered to be the most effective and efficient school of fencing. [85] There is evidence that, in the second half of the 16th century, at least a handful of German long sword fencers (Marksbrüder) traveled to England and ...