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Khaisman was a practicing architect for two decades, working in the areas of architecture, animation, and stained glass design, before he began to exhibit his tape works in 2005. [ 2 ] [ 3 ] He was inspired to create works with packaging tape when he looked at a tape-covered stained glass work in progress and saw beauty in the patterns made by ...
After completing his training, Nuttgens worked at Mary Lowndes and Alfred Drury's Glass House in Fulham under Karl Parsons and Martin Travers. [7] In addition to having the talent and skill to create whole works of his own, he was also able to adapt other people's drawings for translation into works of stained glass, [3] to produce designs for other glassmakers, including James Powell and Sons ...
The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Main article: Christopher Whall This is a list of the stained glass works of Christopher Whall (1849–1924) in cathedrals and minsters, reflecting Whall's intent to reflect the inspiration of nature in this art. To experience the Lady Chapel is rather like being inside a great jewelled casket, for the glazing combines a profusion of deep, vibrant colours with a sparkling, silvery framework of ...
A typical copper foil Tiffany lamp, with a jonquil daffodil design Clara Driscoll, head designer at Tiffany & Co., c. 1899–1920, Tiffany "Daffodil" leaded glass table lamp. This is an example of copper foil glasswork, an alternative to came glasswork.
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
Holy Trinity was called "the Cathedral of the Arts & Crafts" by John Betjeman and it is certainly a treasure-house for lovers of stained glass. It holds some of Christopher Whall's finest work and along with his work at Gloucester Cathedral, the Holy Trinity windows constitute the most extensive surviving schemes of his stained glass ...
Haig started work on this in 1996, working with the congregation to refine the design, drawing on the colours of the windows in Nantes Cathedral. He used traditional construction with lead came and French, English and German mouth-blown glass. Fired iron oxides and silver stain were used to produce the desired colours and effects. [19]
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