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Man wearing a zamarra. A zamarra is a sheepskin coat worn by Basque shepherds. [1] In the 1830s, Edward Bell Stephens strongly recommended that visitors to the Spanish Basque region purchase the zamarra, which he described as made from black Andalusian astrakhan lined with white sheepskin. [2]
A basque is an item of women's clothing. The term, of French origin, originally referred to types of bodice or jacket with long tails, and in later usage a long corset, characterized by a close, contoured fit and extending past the waistline over the hips. It is so called because the original French fashion for long women's jackets was adopted from Basque traditional dress. In contemporary ...
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Christmas in the Basque Country starts with the Feast of Santo Tomas on 21 December, a celebration in which most people go out onto the streets [1] to dance and eat talo with txistorra (a type of Basque chorizo). They wear a traditional outfit called the casera dress. For women and girls it consists of a long skirt and a long-sleeved old ...
In the late 19th century, new European styles left an imprint in the traditional Basque house. A blend of Art Deco and the traditional house coined a new style, especially in the French Basque Country, the neo-Basque style, best represented in the Villa Arnaga of Cambo-les-Bains (Kanbo), home to the writer Edmond Rostand. The European ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Young men wore them short and older men wore them calf- or ankle-length. These houppelandes, giorneas and gowns were pleated thanks to different techniques but the most common ones were using a fabric ring and fastening the gown to it in a way that pleated the garment [ 42 ] and adding a layer of interlining (either densely woven linen or low ...
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