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Prior to founding the Collective, Barnes in 1983 founded the Barnes-Blackman Gallery in partnership with The Ensemble Theatre with art shown part-time in the theater's lobby prior to each performance. [5] [6] Its purpose was to bring "the African-American community into the arts at every level, from making art to administering programs." [2]
The Bert Long Jr. Papers are located at the University of Houston Special Collections, [10] and Houston Museum of African American Culture (HMAAC) has a gallery dedicated in his name that displays the work of four Houston artists annually. [11] Long's work is held in the collection of The Museum of Fine Arts, Houston. [12]
He had his second solo show at the DuBose Gallery the following year. [5] In the years after his graduation from Texas Southern University, Oliver became an integral part of the Houston art scene. He was the first African-American artist in Houston to be represented by a major commercial gallery. [10]
Project Row Houses is a development in the Third Ward area of Houston, Texas. Project Row Houses includes a group of shotgun houses restored in the 1990s. [2] Eight houses serve as studios for visiting artists. [3] Those houses are art studios for art related to African-American themes. A row behind the art studio houses single mothers. [2]
The University Museum located on the campus of Texas Southern University is an art gallery that primarily highlights art by and about people in the African diaspora. [ 44 ] The Rutherford B. H. Yates Museum preserves the legacy of African Americans in Houston's Freedmen's Town.
The American Cowboy Museum is located on the Taylor-Stevenson Ranch. Established in 1988 by Mollie Taylor Stevenson Jr., the museum is focused on the art, history, and culture of the contributions of African Americans, Hispanic, Native Americans, and women to the development of the American West. [9]
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