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The King of Tone, released in 2005, was designed by former software engineer Mike Piera to create an improved version of the then-discontinued Marshall Bluesbreaker pedal. A two-sided pedal with independent controls and internal DIP switches to choose between boost, overdrive, and distortion modes, Piera started building the pedals by hand in ...
Numerous variations of the original RAT pedal are still being produced today, and it has become the 8th best selling guitar pedal of all time. [2] The pedal has changed in appearance over the years, but its tone has remained largely the same. Pro Co has also introduced variations of the RAT, including the Turbo RAT and the You Dirty RAT, among ...
An original MXR Innovations distortion plus pedal from 1979, block logo, without LED and battery-only operation (no AC Adapter). MXR Distortion + on a guitar pedalboard. Distortion + is the yellow unit on front of the pedalboard. The MXR Distortion + ("Distortion Plus") is a distortion pedal originally designed in the 1970s by MXR Innovations.
When it comes to music recording hardware, one could argue that Universal Audio has created more powerful products for a wider variety of artists than any other company in the industry. With a ...
It was designed to emulate the mid-range response of a Marshall stack. [2] The HM-2 is based on Boss's DS-1. Despite achieving moderate success in the glam metal scene, the pedal was discontinued in 1991; it was succeeded by the HM-3 Hyper Metal and MT-2 Metal Zone, the latter of which became a commercial success and top-selling Boss pedal. [2]
In a retrospective, Premier Guitar described the MT-2 as "literally the hottest piece of gear in the guitar world" upon its 1991 release. [3] For its October 1992 issue, Guitar Player conducted a "shoot-out" of 29 distortion pedals and concluded the MT-2 was the standout model for metal players. Demand was so high, however, the magazine could ...
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
In 1967, three members of John Mayall & the Bluesbreakers recorded four songs in a session at Decca Studios in London. One instrumental track was named “Fleetwood Mac” after two of the ...
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