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Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
Aaton Penelope is a 35mm motion picture camera introduced by Aaton in October 2008. It is the first camera in the world designed as a switchable Techniscope or 3-perf shooting solution (2 perf-native and 3 perf user-switchable), and it is also the first 35mm camera to offer a progressive scan video-tap. [1]
The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
4, 3, and 2 perf Yes Arricam ST five-link movement 2 2 1–60 frame/s in 0.001 frame/s increments; speeds with decimal places must be set with accessories 1–32 frame/s in 0.001 frame/s increments; speeds with decimal places must be set with accessories dual brushless for shutter and movement, Xtal all speeds 4, 3, and 2 perf Yes
4 perf, 2 sides spherical 35 mm 1.33 0.931" × 0.698" spherical Bioscop: Max Skladanowsky: 1892 footage of Emil Skladanowsky 54 mm unperforated (camera); 4 perf, 2 sides (projection) spherical 54 mm (two strips interleaved) spherical Eidoloscope [4] Woodville Latham: 1895 Griffo-Barnett Prize Fight: 51 mm 1.85 1.457" × 0.787" 4 perf, 2 sides ...
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[5] [6] Specially designed with a native 2-perf camera system (with an optional kit to switch to 3-Perf), the Penelope eventually became available for purchase in October 2008. [7] During the 2010 NAB Show Jean-Pierre Beauviala and AbelCine officially announced Aaton's first digital camera, called Delta Penelope. A fully functional prototype ...
The projection aperture height was also reduced by 0.01 inches (0.25 mm) to give an aperture size of 0.825 × 0.690 inches (20.96 × 17.53 mm), and an aspect ratio of 1.1956…∶1, and thus retaining the un-squeezed ratio of about 2.39∶1. [13] The camera's aperture remained the same (2.35∶1 or 2.55∶1 if before 1958), only the height of ...
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