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Yangon Division, Myanmar: Type: Museum: Collection size: 4112: Visitors: 98,097(2017-2018) Owner: Ministry of Religious Affairs and Culture (Myanmar) Employees: overall 118 employees: Public transit access: Pegu Club Bus Stop (Bus No: YBS 21,39,65,etc) Website: asemus.museum /museum /national-museum-yangon
The makuṭa (Sanskrit: मुकुट), variously known in several languages as makuta, mahkota, magaik, mokot, mongkut or chada (see § Etymology and origins below), is a type of headdress used as crowns in the Southeast Asian monarchies of today's Cambodia and Thailand, and historically in Indonesia (Java, Sumatra, and Bali), Malaysia, Sri Lanka, Laos and Myanmar.
The Pathein hti is an iconic umbrella originating from the Irrawaddy delta town of Pathein.. The Irrawaddy delta town of Pathein (formerly Bassein) in Lower Myanmar is renowned for its colorful cotton umbrellas, which are dubbed "Pathein umbrellas" or "Pathein parasols" (ပုသိမ်ထီး), which are traditionally made in home workshops.
Love and Liquor premiered at the Royal Cinema in Yangon on 13 October 1920, a day since commemorated as Myanmar Movie Day. [ 2 ] [ 3 ] The film proved a major success, despite its poor quality due to a fixed camera position and inadequate film accessories.
A U.S. museum has returned a batch of royal regalia to Ghana that was looted by British colonial soldiers 150 years ago, marking the first major return of stolen artefacts to the West African nation.
Regalia (/ r ə ˈ ɡ eɪ l. i. ə / rə-GAYL-ee-ə) is the set of emblems, symbols, or paraphernalia indicative of royal status, as well as rights, prerogatives and privileges enjoyed by a sovereign, regardless of title. The word originally referred to the elaborate formal dress and accessories of a sovereign, but now it also refers to any ...
This exhibition room displays Myanmar dramatic art, a Myanmar traditional orchestra and a miniature theatre stage according to tradition. Myanmar traditional musical instruments, and various musical instruments of Kachin, Kayah, Kayin, Chin, Bama, Mon, Rakhine and Shan national ethnic groups are also displayed. Puppeteers and marionettes
After World War II, Burmese cinema continued to address political themes.Many of the films produced in the early Cold War era had a strong propaganda element to them. The film Palè Myetyay (Tear of Pearl), produced in the wake of the Kuomintang invasion of Burma in the 1950s, highlighted the importance of the armed forces or Tatmadaw to the country.
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