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Although digital images captured in color can be modified with a digital black and white process, some specialized cameras photograph natively in black and white with no option for color. [10] Black and white digital cameras are often designed without a Bayer filter, avoiding the demosaicing process and meaning that a camera will only capture ...
Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation.
The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.
However, even if both techniques have inherent noise, it is widely appreciated that for color, digital photography has much less noise/grain than film at equivalent sensitivity, leading to an edge in image quality. [10] For black-and-white photography, grain takes a more positive role in image quality, and such comparisons are less valid.
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
Dozens of pages posted on social media accounts that anti-hate analysts believe belonged to the gunman include racist ideologies and plans for the shooting. Solomon Henderson, a Black 17-year-old student at Antioch High School, shot and killed Josselin Corea Escalante, who was 16 and Hispanic, in the school's cafeteria on Wednesday, then turned ...
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