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The video was directed by The Malloys, and served as a tie-in to the song's appearance in the film Me, Myself & Irene. It mainly features Dave Grohl playing a character who has a " multiple personality " disorder (just like Charlie Baileygates/Hank, Jim Carrey 's character in the film) while taking his girlfriend to see the movie at a drive-in.
On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. [61] On January 16, 2014, a picture was posted to the Foo Fighters' Facebook page with several master tapes labeled LP 8. [62]
The music video of the song, directed by Jesse Peretz (who also has directed previous Foo Fighters videos "Big Me" and "Learn To Fly"), is a comedic spoof of a stereotypical 1970s-era hospital soap opera (General Hospital in particular), and is essentially a "show within a show". As seen in the opening credit sequence, the Foo Fighters portray ...
The Foo Fighters don’t stop, do they? Today, Dave Grohl and company released a remix of “Making a Fire,” which was produced by none other than Mark Ronson. The track features members of ...
Prior to the release of Medicine at Midnight, Foo Fighters shared a snippet of "Making a Fire", along with "Cloudspotter", on February 1, 2021. [2] After the album's release, "Making a Fire" was included in the soundtrack for the baseball video game MLB The Show 21, released in April 2021. [3]
It is Medicine at Midnight release week. In other words, Foo Fighters are unveiling their tenth studio album -- delayed by the pandemic -- this Feb. 5. They're teasing the first track, "Making a ...
Foo Fighters performed at Great American Ball Park on Thursday. The band rocked hard for nearly three hours, leaning heavily on a set list of hits that included "Everlong" and "Times Like These."
There Is Nothing Left to Lose is the third studio album by American rock band Foo Fighters, released on November 2, 1999, through Roswell and RCA Records.It marked the first studio credit for drummer Taylor Hawkins, and is often seen as a departure from the band's previous work, showcasing a softer, more experimental sound.