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The discography of Death consists of seven studio albums and four live albums. Death was an American death metal band formed in 1984. The band's founder, Chuck Schuldiner, is considered "a pioneering force in death metal". [1] The band ceased to exist after Schuldiner died of brain cancer in 2001, [2] though it remains an enduring death metal ...
It contains songs collected from their first four albums, Scream Bloody Gore (1987), Leprosy (1988), Spiritual Healing (1990) and Human (1991). Fate was a collection of songs from the first four Death albums controlled by Relativity Records , subsequently purchased by Sony Music Entertainment , and licensed by them to Century Media in Germany.
Pages in category "Albums in memory of deceased persons" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes.
Six years after Harry Chapin's death the album Remember When the Music was released in 1987, The Last Protest Singer in 1988 and many others. Paul Butterfield died of an accidental drug overdose on May 4, 1987. Several live albums were released years after his death. Hip hop disc jockey and producer Scott La Rock was murdered in 1987.
Matt Mills of WhatCulture called the album "perfect union of melody, brutality and intricacy that [Death] had been building towards ever since Scream Bloody Gore." [4] Sam Sodomsky of Pitchfork said Symbolic is "the most melodic and refined" release of Death's career. [5] The album has been described as "not as mathematically progressive" as ...
Their second album, Stone's Reach, was released on 20 June 2009 [4] and received much praise by reviewers. [6] [7] In November 2009, Be'lakor signed with Kolony Records. [8] In March 2010, Be'lakor's album Stone's Reach took first place in Metal Storm's "Best Melodeath/Gothenburg Metal Album" for 2009. [9]
Spiritual Healing has been called Death's "most lyrically dominated album," and is described as a concept album about mental illness and physical disability. [5] It was the first of the band's albums to show Schuldiner's lyrics moving away from the gore and horror themes of the band's previous works (though some tracks do retain the "gratuitous ...
Post-mortem photography was particularly popular in Victorian Britain. [23] From 1860 to 1910, these post-mortem portraits were much like American portraits in style, focusing on the deceased either displayed as asleep or with the family; often these images were placed in family albums. [4]