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Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
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was exhibited at the Orange County Center on Contemporary Arts (OCCCA),in a show that was endorsed by Nicolas Bourriaud, who coined the term relational aesthetics, or Relational art. In 2012 this installation was featured in the largest artist-run, not for profit organization in Brooklyn, the Brooklyn Artists Waterfront Coalition's (BWAC ...
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast ...
Writing in Frieze art magazine, Carl Freedman said, "Traffic and Bourriaud’s concept of ‘relationality’ were just too unspecific to be capable of defining a new art, especially when so many of the works did little to support the exhibition’s premise. This was an ambitiously funded exhibition which was only able to provide the viewer ...
Both exhibition and publication aimed to establish grounds for recognizing a new form of artistic practice emerging in the early 1990s. The presentation displayed different approaches though all shared an interest in the use of methods of contextualization to reveal connections between the art works and their conditions of production, whether these were formal, social, or ideologically defined.
Artificial Hells: Participatory Art and the Politics of Spectatorship (2012); “Antagonism and Relational Aesthetics" (2004) Claire Bishop is a British art historian , critic , and Presidential Professor of Art History at CUNY Graduate Center , New York where she has taught since September 2008.