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Bianzhong from this era had varied numbers of individual zhong (between 13 and 64), each of which could produce two distinct pitches and were suspended obliquely or vertically. [2] In ancient China, the chime was a special instrument for upper class people and it was a symbol of power and wealth.
Zeng-hou-yi Bells. The Bianzhong of Marquis Yi of Zeng (simplified Chinese: 曾侯乙编钟; traditional Chinese: 曾侯乙編鐘; pinyin: Zēnghóuyǐ Biānzhōng), or Zenghouyi Bells, is the name given to an ancient musical instrument made of bells (called bianzhong) unearthed in 1978 in the Tomb of Marquis Yi of Zeng in Leigudun Community (擂鼓墩社区), Nanjiao Subdistrict (南郊街道 ...
Bianzhong – 16 to 65 bronze bells hung on a rack, struck using poles; Fangxiang (simplified Chinese: 方响; traditional Chinese: 方響; pinyin: fāngxiǎng; Wade–Giles: fang hsiang) – set of tuned metal slabs (metallophone) Nao (musical instrument) – may refer to either an ancient bell or large cymbals
The bianqing (IPA: [biːɛnʧɪŋ] Chinese: 编磬; pinyin: biānqìng [bi̯ɛn˥ t͡ɕʰiŋ˥˩]) is a traditional Chinese percussion instrument consisting of a set of L-shaped flat stone chimes known as qing, played melodically. The chimes were hung in a wooden frame and struck with a mallet.
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A carillon, which is a musical instrument consisting of at least 23 cast bronze cup-shaped bells, is tuned so that the bells can be played serially to produce a melody, or sounded together to play a chord. A traditional carillon is played by striking a baton keyboard with the fists, and by pressing the keys of a pedal keyboard with the feet.
A chime (/ ˈ t ʃ aɪ m /) or set of chimes is a carillon-like instrument, i.e. a pitched percussion instrument consisting of 22 or fewer bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present ...
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments.