Search results
Results from the WOW.Com Content Network
The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4] Even the Neo-Renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type common in the early 19th century. It is closely associated with ...
Alte Pinakothek. It consists of the three "Pinakotheken" galleries (Alte Pinakothek, Neue Pinakothek and Pinakothek der Moderne), the Glyptothek, the Staatliche Antikensammlungen (both museums are specialized in Greek and Roman art), the Lenbachhaus, the Museum Brandhorst (a private collection of modern art) and several galleries.
The Neue Pinakothek was completed in 1859 and was intended to be the first museum in Europe for the exhibition of contemporary paintings. [1] The established schools of European painting were displayed. On the ground floor 1ß6 plaster busts of contemporary celebrities were also displayed. [2] The building was redeveloped in the late 20th century.
It is by far the largest collection of architectural exhibits in Germany. The main exhibition rooms of the museum are located in the same building as the Pinakothek der Moderne, with an additional branch office, called the Architekturmuseum Schwaben (Architecture Museum of Swabia), located in Augsburg.
163.7 × 127 cm (central panel) 167.7 × 60 cm (left wing) 167 × 60 cm (right wing) Academie für Bildenden Künste, Vienna, Austria The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille. Outside panels of The Last Judgment c. 1500–1505 Oil on wood 167.7 × 60 cm (left wing) 167 × 60 cm (right ...
Men carrying booty, trumpeters and sacrificial bulls, oil on copper, 19.5×16.5 cm, Munich, Alte Pinakothek; Prisoners and standard bearers, oil on copper, 19.5×19 cm, Munich, Alte Pinakothek; Trophies, war machines, inscriptions and representations of defeated cities, oil on copper, 20×18 cm, Munich, Alte Pinakothek
A haunting portrait by Titian from 1548 at Munich's Alte Pinakothek reveals the torment of an eminence who cannot reach spiritual fulfillment or manipulate the, to him, ultimately secondary levers of hegemonic rule." [2] During his stay in Augsburg, Titian painted two portraits of Charles V: this seated portrait and the equestrian portrait.
Pages in category "Collection of the Neue Pinakothek" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes. C.