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The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4] Even the Neo-Renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type common in the early 19th century.
Alte Pinakothek. It consists of the three "Pinakotheken" galleries (Alte Pinakothek, Neue Pinakothek and Pinakothek der Moderne), the Glyptothek, the Staatliche Antikensammlungen (both museums are specialized in Greek and Roman art), the Lenbachhaus, the Museum Brandhorst (a private collection of modern art) and several galleries.
163.7 × 127 cm (central panel) 167.7 × 60 cm (left wing) 167 × 60 cm (right wing) Academie für Bildenden Künste, Vienna, Austria The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille. Outside panels of The Last Judgment c. 1500–1505 Oil on wood 167.7 × 60 cm (left wing) 167 × 60 cm (right ...
The Neue Pinakothek was completed in 1859 and was intended to be the first museum in Europe for the exhibition of contemporary paintings. [1] The established schools of European painting were displayed. On the ground floor 1ß6 plaster busts of contemporary celebrities were also displayed. [2] The building was redeveloped in the late 20th century.
Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million, 22,000-square-meter [1] building took a decade to finish because of bureaucratic objections to design and cost, which were ultimately bridged by private initiative and financing. [2]
In Munich the three main galleries are called the Alte Pinakothek (old masters), Neue Pinakothek (19th century) and Pinakothek der Moderne. The Pinacotheca, Melbourne, was a gallery for avant-garde art from 1967 to 2002. At Hallbergmoos, near Munich Airport, there was the Pinakothek Hallbergmoos (20th and 21st century) between 2010 and 2014.
A haunting portrait by Titian from 1548 at Munich's Alte Pinakothek reveals the torment of an eminence who cannot reach spiritual fulfillment or manipulate the, to him, ultimately secondary levers of hegemonic rule." [2] During his stay in Augsburg, Titian painted two portraits of Charles V: this seated portrait and the equestrian portrait.
The Sin (German: Die Sünde) is an 1893 painting by the German artist Franz Stuck.Stuck created twelve known versions of the painting. Some of these can be viewed at the Neue Pinakothek, in Munich, the National Gallery, in Berlin, the Galleria di arte Moderna, in Palermo, the Frye Art Museum, in Seattle, and at the Villa Stuck, in Munich, where it is enshrined in the artist's Künstleraltar. [1]