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1968: The Many Moods of the Illustrious J. D. Sumner; 1969: The Heart of a Man (re-issued in 1982 as The Masters V Present Their Majestic Bass, J. D. Sumner) 1972: The Way It Sounds Down Low; 1984: Thank God for Kids; 1985: An American Trilogy; 1988: The Masters V Present the Superlative Bass Voice of J. D. Sumner
"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...
Act Two showed the gospel side of Elvis. During a special section of gospel music, a surprise was in store for fans as J.D. Sumner's voice was multi-tracked for a performance (with Elvis and the Stamps) of "Why Me, Lord?" Lisa Marie also made an appearance singing an original song she wrote called "Nobody Noticed It (You're Still Lovely)".
The lineup with Bill Shaw, James, Cecil, and J.D. Sumner (who for many years was unchallenged as the Guinness World Record holder for having the lowest human voice on record, and was only superseded after Guinness started accepting vocal fry as part of the vocal range) is considered the classic version of the Blackwood Brothers Quartet, with ...
Opening for Sting at the Hollywood Bowl makes for some album release show. That’s what Joe Sumner will be doing Saturday night, the day after his debut solo album, “Sunshine in the Night ...
This early version of the Dixie Melody Boys dissolved in 1957, but would reform again in 1961. Members of the group around this time included Ralph Walker (tenor), Avis Adkins (lead), Gene Payne (baritone), Marvin Harris (bass), and a young teenager named Tony Brown (pianist). Brown went on to play with JD Sumner And The Stamps Quartet. [1]
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