Search results
Results from the WOW.Com Content Network
Vernon Lee was the pseudonym of the French born British writer Violet Paget (14 October 1856 – 13 February 1935). She is remembered today primarily for her supernatural fiction and her work on aesthetics.
"A Wicked Voice" by Vernon Lee recounts the tale of a 19th-century composer named Magnus. He is in Venice to compose music for his opera, Ogier the Dane.In Venice, however, his inspiration weakens "in the stagnant lagoon of the past," as the culture and history of Venice confuse his musical ideals: "It was as if there arose out of its shallow waters a miasma of long-dead melodies, which ...
The villa in Florence, Italy, where Anstruther-Thomson and Vernon Lee lived together. Anstruther-Thomson first met Vernon Lee in 1888, and for the next twelve years the two women openly lived together, as "lovers, friends, and co-authors". [9] [10] Living as expatriates in Italy, they often travelled back and forth to Britain. In their time ...
Writer Vernon Lee owned a first edition of Instincts of the Herd in Peace and War: Leen wrote marginalia into her copy taking issue with Trotter's ideas. Lee's notes criticised Trotter's ideas of organicism and his use of "crowd theory", and disagreed with Trotter's support for the First World War.
Download as PDF; Printable version; In other projects Wikisource; Wikidata item; Appearance. ... Vernon Lee (1856–1935, France/Italy, f/nf), pseudonym of Violet Paget;
There is also, towards the end of the book, a section entitled 'Fugitive Women', which includes shorter sketches of Emily Brontë, Julie de Lespinasse, Violet Hunt, Vernon Lee, Adah Isaacs Menken and Lady Hester Stanhope. The final chapter, 'Perfect Artists', looks more generally at the tradition of the literary artist.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Elderly Lady (circa 1740), painting by Rosalba Carriera. Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "Emphatically Corporeal Visual Subject", with Vernon Lee as a notable example. [1]