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Mendelssohn had included the organ in his second symphony, "Lobgesang", but that work is a symphonic cantata, while Vincent d'Indy's Symphonie sur un chant montagnard français, which includes piano concertante, was only begun after the premiere of the Organ symphony. This instrumentation "had not previously factored in an established symphony".
Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/ ; French: [ʃaʁl kamij sɛ̃sɑ̃(s)] ⓘ ; [n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...
An organ concerto is a type of classical music composition in which a pipe organ soloist is accompanied by an orchestra, although some works exist with the name "concerto" which are for organ alone.
The first, "cyprès" ("cypress"), is a mournful dirge adagio for organ solo, recalling a mournful cypress. Once the orchestra makes its entrance, there is an uplifting and sprightly interplay between the organ and orchestra, reminiscent of a militaristic march (hence the "lauriers", or "laurels") that makes liberal use of brass and a large ...
The term organ symphony is also used occasionally to refer to orchestral symphonies with a prominent solo role for an organ (as distinct from an organ concerto). The best known examples of such pieces are Camille Saint-Saëns's Symphony No. 3 and the Symphony for Organ and Orchestra by Aaron Copland, though strictly speaking such pieces are ...
In J. S. Bach's Fifth Brandenburg Concerto, for example, the concertino is a flute, a violin, and a harpsichord; although the harpsichord is a featured solo instrument, it also sometimes plays with the ripieno, functioning as a continuo keyboard accompaniment. [9]
The storyline is that a mischievous boy slips away from his teacher during a trip to a museum of natural history and, once the museum is shut, sees all the people he knows transformed into animals. An audio recording was made in 2004 by members of Chamber Music Los Angeles, conducted by Bill Elliot, with the narration spoken by Lithgow. [17]
for 2 sopranos, alto and organ with chorus ad libitum: Vocal: sacred — c. 1863: Ave verum en si mineur: Ave verum in B minor: for soprano, alto and organ: Vocal: sacred — 1865: Ave Maria en la majeur: Ave Maria in A major: for soprano or tenor and organ: Vocal: sacred — 1865: Inviolata en ré majeur: Inviolata in D major: for alto and ...