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Grotesque studies, Michelangelo Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.
In English, objects and complements nearly always come after the verb; a direct object precedes other complements such as prepositional phrases, but if there is an indirect object as well, expressed without a preposition, then that precedes the direct object: give me the book, but give the book to me.
Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men"). During the Renaissance, scholars meticulously enumerated and classified figures of speech.
Sometimes, especially in Brazilian Portuguese, the masculine augmentative can be applied to a feminine noun, which then becomes grammatically masculine, but with a feminine meaning (e.g. "o mulherão" instead of "a mulherona" for "the big woman"); however, such cases usually imply subtle meaning twists, mostly with a somewhat gross or vulgar ...
Grotesquerie is a literary form that became a popular genre in the early 20th century.It is characterized by using the grotesque in its work (i.e., the work uses people or animal forms that are distorted or misshapen) for comedic effect or in order to repulse. [1]
California Digital Library higherenglishgra00bainrich (User talk:Fæ/IA books#Fork20) (batch #56512) File usage No pages on the English Wikipedia use this file (pages on other projects are not listed).
A grammar book is a book or treatise describing the grammar of one or more languages. In linguistics , such a book is itself frequently referred to as a grammar . Etymology
The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level.