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No Place Like Home, Big Country's fifth studio album, was released in 1991. It was a commercial flop, and as a result nearly broke up the band. Drummer Mark Brzezicki returned to the studio as a session drummer after leaving the band. The album found Big Country trying to reinvent themselves and shift away from their 1980s image. [1]
A warm-up bass riff Butler used was incorporated into The Pretenders' "My City Was Gone" [4] and was also co-opted by The Rush Limbaugh Show as its opening theme. In 2007, to celebrate 25 years of Big Country, Butler reunited with founder members Bruce Watson and Mark Brzezicki to embark on a tour of the UK. He became lead vocalist for the ...
"In a Big Country" was covered by American alternative rock band American Authors. The song was recorded by the band for the 2014 single "In a Big Country / You Make My Dreams Come True", with American alternative rock band The Mowgli's. The single was released by Island Def Jam on vinyl on 19 April 2014 as a Record Store Day release.
Big Country. Stuart Adamson – guitar, piano, vocals, e-bow; Mark Brzezicki – drums, percussion; Tony Butler – bass guitar, guitar, vocals; Bruce Watson ...
Where the Rose is Sown is a song by Scottish rock band Big Country, [2] which was released in 1984 as the second single from their second studio album Steeltown. It was written by Big Country and produced by Steve Lillywhite. [3] "Where the Rose Is Sown" peaked at No. 29 in the UK and No. 25 in Ireland. [4] [5]
"Beautiful People" is a song by Scottish rock band Big Country, which was released in 1991 as the second and final single from their fifth studio album No Place Like Home. It was written by Stuart Adamson and produced by Pat Moran. [ 2 ] "
The Crossing is the debut album released by Scottish band Big Country in July 1983. The album reached #3 in the UK; overseas, it hit #4 in Canada on the RPM national Top Albums Chart and #18 in the US on the Billboard 200 in 1983.
Watson in 1991. Watson's role in the band was primarily as a supporting guitarist. He typically contributed rhythmic textures ("Wonderland", "Lost Patrol") and repetitive melodic fills ("In a Big Country", "Look Away") which underpinned verses, contrasting with Stuart Adamson's more straightforward chord work in these sections.
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