Search results
Results from the WOW.Com Content Network
The Dead Christ with Angels is an 1864 oil painting by French painter Édouard Manet. The painting depicts the biblical story of Mary Magdalene entering the tomb of Jesus and seeing two angels but finding Jesus's body missing. [1] [2] It is now in the Metropolitan Museum of Art in New York City.
The Dead Christ with Angels or Four Angels Lamenting the Dead Christ is an oil on panel painting by Rosso Fiorentino, executed c. 1525–1526, now in the Museum of Fine Arts in Museum of Fine Arts, in Boston.
The left hand of Christ creates the illusion that the two worlds occupy the same space. The incisive and graphic lines of the painting (in the hair of John the Evangelist, painted one by one, and in the vein of Christ's arm) recall Mantegna's style, but the painting's use of color and light is different.
Dead Christ (Palmezzano) The Dead Christ Adored by Saint Jerome and Saint Dorothy; The Dead Christ Supported by the Virgin and Saint John; Dead Christ Supported by Two Angels (Bellini, Berlin) Dead Christ Supported by Two Angels (Bellini, Venice) The Dead Christ with Angels; Death of the Virgin (van der Goes) Death of the Virgin Mary of Košátky
The dead Christ supported by angels. Etching, 26,3 x 20,4 cm. Battista Franco Veneziano (c. 1510 - 1561), baptized Giovanni Battista Franco, was an Italian Mannerist painter and printmaker in etching active in Rome, Urbino, and Venice in the mid 16th century. He is also known as il Semolei or just Battista Franco.
Pietà or Dead Christ Supported by Angels is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the city museum of Rimini.It is dated to around 1470, making it one of his early mature works, around the same time as another of his Pietà (Brera).
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The idea of scherzo, a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [14] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection. The painting is another mirror to the Middle Ages inscriptions on images related to a Christ on the cross or the Passion of ...