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The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome. The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16.
The image of "The Good Shepherd", a beardless youth in pastoral scenes collecting sheep, was the most common of these images, and was probably not understood as a portrait of the historical Jesus. The depiction of Jesus already from the 3rd century included images very similar to what became the traditional image of Jesus, with a longish face ...
The Pharisees are not mentioned in the Greek text (λεγω υμιν, [11] legō humin, "I speak to you") but they are mentioned in the New International Version (NIV) in continuity with John 9:40, where "some Pharisees" had spoken with Jesus. The NIV and the Jerusalem Bible also confirm in verse 6 that the Pharisees are the group Jesus is ...
The Shepherd of Hermas (Greek: Ποιμὴν τοῦ Ἑρμᾶ, romanized: Poimēn tou Herma; Latin: Pastor Hermae), sometimes just called The Shepherd, is a Christian literary work of the late first half of the second century, considered a valuable book by many Christians, and considered canonical scripture by some of the early Church fathers such as Irenaeus. [1]
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process.
The Good Shepherd, now clearly identified as Christ, with halo and often rich robes, is still depicted, as on the apse mosaic in the church of Santi Cosma e Damiano in Rome, where the twelve apostles are depicted as twelve sheep below the imperial Jesus, or in the Mausoleum of Galla Placidia at Ravenna.
The Good Shepherd The Guardian Angel. Plockhorst was born in Braunschweig, Germany, where he had a 5-year education in lithography at the Collegium Carolinum, after which he trained to be a painter with Julius Schnorr von Carolsfeld in Dresden in 1848, with Carl von Piloty in Leipzig and Munich, and finally with Thomas Couture in Paris in 1853.