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This is a non-diffusing subcategory of Category:19th-century Italian painters. It includes Italian painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "19th-century Italian women painters"
19th-century Italian women painters (64 P) Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total.
Sara Pichelli (born 1983), comics artist; Margherita Pillini (late 19th century), painter; Ida Pinto-Sezzi (born 1852), painter; Laura Piranesi (1755–1785), engraver; Paola Pivi (born 1971), multimedia artist; Teresa del Po (1649–1716), painter; Amalia Del Ponte (born 1936), multidisciplinary artist; Carlotta Ida Popert (1848–1923 ...
Francesco Monteverde (19th century) Paolo Moranda Cavazzola (1486–1522) Giorgio Morandi (1890–1964) Domenico Morani (1813–1870) Domenico Morelli (1823–1901) Moretto da Brescia (c.1498–1554) Emma Moretto (19th century) Giovan Battista Moroni (1522–1579) Tulio Moy (1856–1894) [25] Carlo Muccioli (1857–1931) Quirizio di Giovanni da ...
This is a non-diffusing subcategory of Category:19th-century Italian artists. It includes Italian artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:19th-century Italian male artists
Three Dancing Maidens (German: Drei tanzende Mädchen) is a nymph fountain (Nymphenbrunnen) sculpture by Walter Schott. There are three full-size versions or castings of the bronze sculpture.
The important place of women in dance can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start.
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.