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The FAB series of guitar effect pedals is a budget range of pedals made by the Danelectro company that are manufactured in China. The series was launched in 2005 with the release of the FAB Distortion, FAB Overdrive, and FAB Metal pedals. Currently, eight pedals share the same distinctive injection moulded plastic casing and blue LED light.
Triton Envelope Filter (Ed's Mod Shop); Moby Dick Bass Fuzz (Ed's Mod Shp); Danelectro Fab Echo; Behringer Ultra Octaver; Boss Compressor CS3; Boss Compressor CS2 Miscellaneous: Hot Hands by Source Audio, Hi EBow; Funk Fingers; Dunlop (plectros & picks); violin bow; Roland EV5 pedal
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Nels Cline uses Silvertone and Danelectro guitars on his album Instrumentals [12] Bruce Cockburn; Ry Cooder plays slide guitar on Silvertone guitars. [13] Elvis Costello appeared in ads for Danelectro when the brand was relaunched in the late 1990s and plays Danelectro and Silvertone guitars on his album When I Was Cruel. [14] Gianluca ...
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
The simplest fuzz bass pedals have knobs for controlling the volume level, the tone, and the fuzz or overdrive effect. More complex pedals have different distortion effects (e.g., overdrive and fuzz), gates to trigger the volume at which sounds will get overdriven, mixers to mix the natural and fuzzed sound in the player's desired proportions ...
The Fuzz-Tone was born. The two engineers sold their circuit to Gibson , who commercialized the device in 1962 under the name Maestro FZ-1 Fuzz-Tone . While the initial run of 5000 units was a commercial failure, sales soared after The Rolling Stones ' Keith Richards used an FZ-1 to record the main riff of the band's hit 1965 song (I Can't Get ...