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Yvor Winters' memorable prose is highly polished, formal, and exacting. He was a fine stylist and a strikingly scrupulous interpreter of literary artworks. He was often and sometimes still is mistakenly considered one of the New Critics because of his many careful readings of individual works of poetry, fiction, and drama.
Winters's critical style was comparable to that of F. R. Leavis, and in the same way he created a school of students (of mixed loyalty).His affiliations and proposed canon, however, were quite different: Edith Wharton's The Age of Innocence above any one novel by Henry James, Robert Bridges above T. S. Eliot, Charles Churchill above Alexander Pope, Fulke Greville and George Gascoigne above ...
The scene of Babo's shaving of Don Benito is, in Delbanco's words, "a meditation on subjectivity itself." Captain Delano enjoys the sight of Babo performing the kind of personal service to his master Delano thinks blacks are especially well suited for, manicuring, hair-dressing, and barbering.
Created Date: 8/30/2012 4:52:52 PM
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Graff's emphasis on literature as rational statement bears comparison with the theories of Yvor Winters, his professor at Stanford in the 1960s. Graff's later research has a heavy focus on pedagogy. He has discussed things like his own dislike of books at an early age and the way in which academic discourse is needlessly obscure.
In high school, he first corresponded with Yvor Winters who was then a graduate student at Stanford University and who later became an influential poet and critic. The death of Cunningham's father in an accident and the family's resulting financial hardship prevented Cunningham from continuing immediately to college.
Lewis was born in Chicago, Illinois, and was a graduate of the University of Chicago, where she was a member of a literary circle that included Glenway Wescott, Elizabeth Madox Roberts, and her future husband Yvor Winters. She was an active member of the University of Chicago Poetry Club.