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Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C. , where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace .
This is an accepted version of this page This is the latest accepted revision, reviewed on 3 December 2024. American musician Pete Wentz Wentz in 2015 Born Peter Lewis Kingston Wentz III (1979-06-05) June 5, 1979 (age 45) Wilmette, Illinois, U.S. Occupations Musician singer songwriter record executive Years active 1993–present Spouse Ashlee Simpson (m. 2008; div. 2011) Partner(s) Meagan ...
Marquette's Jimmy Butler makes a prominent appearance in a new Fall Out Boy video, reprising his "emo" look from media day before the 2023-24 season. Marquette University alumnus Jimmy Butler is ...
Emo, whose participants are called emo kids or emos, is a subculture which began in the United States in the 1990s. [1] Based around emo music, the subculture formed in the genre's mid-1990s San Diego scene, where participants were derisively called Spock rock due to their distinctive straight, black haircuts.
It was the early 2000s: emo music was making its mark on the world, and Say Anything’s Max Bemis was creating a masterpiece—while simultaneously losing his mind. While the band has since ...
During Set It Off's early years the band fit into the pop-punk and emo genre exclusively, but they added R&B elements with Duality in 2014. Vocalist Cody Carson cited Fall Out Boy , Panic! At The Disco , My Chemical Romance , and New Found Glory as their primary influences in the earlier years of the band. [ 66 ]
Algernon Cadwallader's music has been described as emo and math rock.They cite Cap'n Jazz and The Beatles as influences. [16] According to Ian Cohen of Pitchfork, the band "purposefully chose Midwestern emo over other forms of punk and hardcore, a choice that liberated from the professionalism, earnestness, and striving that defines indie rock."
According to The Chicago Reader critic Leor Galil, the second-wave bands of the Midwest emo scene "transformed the angular fury of D.C. emo into something malleable, melodic, and cathartic—its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart."
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