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African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War .
Coon songs contributed to the development and acceptance of authentic African-American music. [37] Elements from coon songs were incorporated into turn-of-the-century African-American folk songs, as was revealed by Howard W. Odum's 1906–1908 ethnomusicology fieldwork. [38]
The book, a survey of African American folk songs, has been reprinted several times. The book focuses on secular songs, that is, songs without any kind of religious message or origin. It was one of the first studies to focus solely on secular songs and weaves between analysis of the music and anecdotes from Scarborough and the people who ...
Thomas Putnam Fenner (November 22, 1829 – October 15, 1912) was an American music educator, choral conductor, voice teacher, and collector and arranger of African American folk songs. A multi-instrumentalist and tenor, Fenner was a military band musician during the American Civil War in the Union Army. After the war, he co-founded the ...
Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
African-American folk music in the area has roots in slavery and emancipation. Sacred music—a capella and instrumentally-accompanied—is at the heart of the tradition. Early spirituals framed Christian beliefs within native practices and were heavily influenced by the music and rhythms of Africa."
Fife and drum blues is an American folk music form derived from country blues, martial music tradition, and African rhythms. It is performed typically with one lead fife player and a troop of drummers. Unlike a drum corps, the drum troop is loosely structured.
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
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