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The song involves an exchange of vocal lines between the falsetto of Homme and the twin baritones of Gibbons and Mark Lanegan. Gibbons does not regularly tour with the band, so the other vocal was performed by Lanegan, until he stopped touring with the band. Currently, Josh Homme sings alone with backing vocals from the rest of the band.
The Witch (song) Witch Hunt (song) The Witch Queen of New Orleans; Witchcraft (1957 song) Witchy Woman
"Marie Laveau" is a song written by Shel Silverstein and Baxter Taylor. First recorded by Dr. Hook & The Medicine Show on their 1971 album Doctor Hook, a 1974 live recording by Bobby Bare went to number one for a single week and spent a total of 18 weeks on the country charts. It was his 34th single on the charts, his only number one and final ...
"Burn the Witch" is a song by the English rock band Radiohead, released as the lead single from their ninth studio album, A Moon Shaped Pool (2016). It features a string section playing with guitar plectrums , producing a percussive sound, with lyrics warning against groupthink and authoritarianism .
Taylor Swift may have just proved she’s a mastermind. During an Eras Tour concert in Buenos Aires, Argentina, Swift, 33, surprised the audience with a sweet love song from her 2022 Midnights album.
A portion of the Frank Sinatra rendition is sung by Nick Bakay on Sabrina, The Teenage Witch in his voice role as warlock-turned-black cat Salem Saberhagen, before his character hacks up a hairball. In Hocus Pocus (1993 film) , the band performed this song at the Town Hall Halloween Party.
Occult rock (also known as doom rock [1] or witch rock) [2] is a subgenre of rock music that originated in the late 1960s to early 1970s, [3] pioneered by bands such as Coven [3] [4] and Black Widow. [ 3 ]
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart.