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The End of the World, commonly known as The Great Day of His Wrath, [1] is an 1851–1853 oil painting on canvas by the English painter John Martin. [2] Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country.
The first Horseman of the Apocalypse as depicted in the Bamberg Apocalypse (1000–1020). The first "living creature" (with halo) is seen in the upper right. Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, "Come!" I looked, and behold, a white horse, and he ...
The Four Horsemen of the Apocalypse are depicted in the painting. Depicted from right to left are Conquest, War, Famine, and Death. Study. Four Horsemen of the Apocalypse (Russian: "Воины Апокалипсиса") is an 1887 painting by Russian artist Viktor Vasnetsov.
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Four Horsemen of the Apocalypse ...
The painting shows the time when "Heaven and Earth are passing away, and all things are made new." According to Mary L. Pendered's 1923 book John Martin, Painter: His Life and Times, Martin originally intended to call the painting All Things Made New. The painting was retained by Martin's family after his death until it was sold in 1935.
The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), [1] is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. [2]
Vädersolstavlan (Swedish for 'The Sundog Painting '; pronunciation ⓘ) is an oil-on-panel painting depicting a halo display, an atmospheric optical phenomenon, observed over Stockholm on 20 April 1535. It is named after the sun dogs (Swedish: Vädersol, lit. 'weather sun') appearing on the upper right part of the painting.