Search results
Results from the WOW.Com Content Network
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Christ has died, Christ is risen, Christ will come again. Dying you destroyed our death, rising you restored our life. Lord Jesus, come in glory. When we eat this bread and drink this cup, we proclaim your death, Lord Jesus, until you come in glory. Lord, by your cross and resurrection, you have set us free. You are the Saviour of the world.
Mary Lou Williams, alternatively titled Black Christ of the Andes, is a jazz album by pianist Mary Lou Williams, which was released in 1964 by Folkways Records. [1] Released after Williams's conversion to Catholicism , [ 2 ] the album incorporates a variety of styles from spirituals , blues and avant-garde jazz. [ 3 ]
Scene 4: Christ's reception in Heaven Unto which of the angels (tenor) Let all the angels of God worship Him (chorus) Scene 5: The beginnings of Gospel preaching Thou art gone up on high (soprano, alto, or bass) The Lord gave the word (chorus) How beautiful are the feet (soprano, alto, or chorus) Their sound is gone out (tenor or chorus)
The song was written during the Thirty Years' War and published semi-anonymously in Löwenstein's book Früelings-Mayen. [3] He wrote it to plead to God for peace. It's based on Psalm 79:9; Revelation 12:10; Psalm 84:11; Matthew 16:18. [4]
In 1870 his remains were returned to the United States and were interred at the Green-Wood Cemetery. His original burial spot, a marble monument topped by an "Angel of Music" statue, was irreparably damaged by vandals in 1959. [57] In October 2012 a new "Angel of Music" statue was unveiled. [58] Glenn Gould: 1982 Pianist
Christ lag in Todes Banden (also spelled Todesbanden; [a] "Christ lay in death's bonds" [2] or "Christ lay in the snares of death"), [3] BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence ...
In heaven--in earth--beneath, To all the sign of victory O'er Satan, sin, and death. Crown him the Lord of life Who triumphed o'er the grave, And rose victorious in the strife For those he came to save; His glories now we sing Who died, and rose on high. Who died, eternal life to bring And lives that death may die.