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The exiting of the bridal party is also called the wedding recessional. At the end of the service, in Western traditions, the bride and groom march back up the aisle to a lively recessional tune, a popular one being Felix Mendelssohn's Wedding March from A Midsummer Night's Dream (1842). [6]
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
Wagner’s piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. [ 1 ] The chorus is sung in Lohengrin by the women of the wedding party after the ceremony, as they accompany the heroine Elsa to her bridal chamber.
A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church , the Seventh-day Adventist Church , and Anglican Church , an equivalent to the concluding voluntary , which is called a Recessional Voluntary, for example a Wedding Recessional.
"Recessional" contains five stanzas of six lines each. As a recessional is a hymn or piece of music that is sung or played at the end of a religious service, in some respects the title dictates the form of the poem, which is that of a traditional English hymn. Initially, Kipling had not intended to write a poem for the Jubilee. It was written ...
Mairi's Wedding" (also known as Marie's Wedding, the Lewis Bridal Song, or Scottish Gaelic: Màiri Bhàn "Blond Mary") is a Scottish folk song originally written in Gaelic by John Roderick Bannerman (1865–1938) for Mary C. MacNiven (1905–1997) on the occasion of her winning the gold medal at the National Mòd in 1934.
The "Wedding March", from Felix Mendelssohn's incidental works (Op. 61), used as wedding recessional music Wedding Song, orchestral work by Elisabetta Brusa Hochzeits-Lied (Wedding Song), by Kurt Weil from The Threepenny Opera
"The Love Song of Har Dyal" KS 11 Soprano, piano 1901 1923 Verses by Rudyard Kipling [5] [18] "Love Verses from The Song of Solomon" Soloists, chorus, instrumental or piano accompaniment 1899–1931 1931 [5] [18] "Lullaby" from Tribute to Foster: Solo piano 1915 1917 [7] [18] "Marching Song of Democracy" (a) Chorus; orchestra, organ (b) Brass band
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