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The Aztec or Nahuatl script is a pre-Columbian writing system that combines ideographic writing with Nahuatl specific phonetic logograms and syllabic signs [1] which was used in central Mexico by the Nahua people in the Epiclassic and Post-classic periods. [2]
Classical Nahuatl, also known simply as Aztec or Codical Nahuatl (if it refers to the variants employed in the Mesoamerican Codices through the medium of Aztec Hieroglyphs) and Colonial Nahuatl (if written in Post-conquest documents in the Latin Alphabet), is a set of variants of Nahuatl spoken in the Valley of Mexico and central Mexico as a lingua franca at the time of the 16th-century ...
The Codex Borbonicus is one of a very few Aztec codices that survived the colonial Spanish inquisition. When the Spanish conquistadors (led by Hernán Cortés) entered Aztec cities, they would often find libraries filled with thousands of native works. [2] However, most of the works were destroyed during the conquest as a means to hasten the ...
The colonial-era codices often contain Aztec pictograms or other pictorial elements. Later indigenous literature employed Latin script exclusively, e.g., the Books of Chilam Balam that date from the 17th c. onwards. Already by the mid-16th c., use of the Latin script for Mesoamerican languages seems to have been well established. [22]
Of supreme importance is the Florentine Codex, a project directed by Franciscan friar Bernardino de Sahagún, who drew on indigenous informants' knowledge of Aztec religion, social structure, natural history, and includes a history of the Spanish conquest of the Aztec Empire from the Mexica viewpoint. [25]
The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [5]
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