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The Photo-crayotype, Chromotypes and Crayon Collotypes were all used to colourize photographs by the application of crayons and pigments over a photographic impression. [19] Charcoal and coloured pencils are also used in hand-colouring of photographs and the terms crayon, pastel, charcoal, and pencil were often used interchangeably by colourists.
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration , the language of colour, the hunt, and bathing, picking five paintings from each. [ 2 ]
In 2006, a print became the most expensive photo sold. [30] [31] [s 2] The Steerage: 1907 Alfred Stieglitz: Aboard the SS Kaiser Wilhelm II, possibly anchored at Plymouth, England, United Kingdom [32] Landmark modernist photo depicting immigrants on the SS Kaiser Wilhelm II. [33] [s 1] [s 2] Child Laborer in Newberry, South Carolina Cotton Mill ...
In 1767, Anton Friedrich König (1722-1787) was appointed royal court miniature portrait painter for Frederick the Great. In 1769, he produced a watercolour painting on ivory showing the king as an intellectual writer, historian and philosopher in front of his writing table, surrounded by the books in his library. [79] [80] [81]
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
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The Great Indian Council – 1833: Gustaf Dalstrom: 1934 oil on canvas installed at the Chestnut St. Station moved to Loop Station, 211 S. Clark St. Chicago Lakeview Station Chicago: Epoch of a Great City: Harry Sternberg: 1938 oil on canvas self-portrait of artist as a scientist in lower left corner Chicago Main Post Office Mural Maps: Charles ...
[40]: 112 Unlike Whistler's Impressionistic night scenes Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry."
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