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Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio . The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
In the surge of ambition, Virgil also predicts defeating the legendary poet Orpheus and his mother, the epic muse Calliope, as well as Pan, the inventor of the bucolic pipe, even in Pan's homeland of Arcadia, which Virgil will claim as his own at the climax of his book in the tenth eclogue. Identification of the fourth eclogue's child has ...
Virgil addressed the famous fourth eclogue to him, although there is uncertainty regarding whether Virgil composed the poem in anticipation of Pollio's consulship or to celebrate his part in the Treaty of Brundisium. Virgil, like other Romans, hoped that peace was at hand and looked forward to a Golden Age under Pollio's consulship.
According to Bellori, the Silenus relief is "an invention according to the poetry of Virgil." [4] [1] Virgil's fourth eclogue goes thusly: In a cave, two boys Chromis, and Mnasylos, Silenus found Lying asleep, all swollen with the wine Of yesterday, as always he is seen. His garlands lay beyond, fall'n from his head;
The fourth of Virgil's Eclogues, in which the Sibyl delivers a prophecy, was interpreted as a messianic prophecy of the birth of Christ [7] [8] [9] by early Christians, who deemed Virgil a virtuous pagan; in particular, Dante personified Virgil as his guide through the underworld in the Divine Comedy.
Messiah is a 'sacred eclogue' by Alexander Pope, composed in 1712. [1] It is based on the Fourth Eclogue of Virgil, and is an example of English Classicism's appropriation and reworking of the genres, subject matter and techniques of classical Latin literature.
Although Virgil's Eclogues are Calpurnius's principal sources/models, Eclogue V is a didactic poem inspired by Virgil's Georgics – in particular Georgic III [34] or, as MacKail puts it, it is "a brief Georgic made formally a pastoral by being put into the mouth of an old shepherd sitting in the shade at midday". [35]