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The film is based on fictive events of World War II and is centered on the atrocious crimes committed during that period, in particular the Jugović and Osmanović families. According to Vuk Drašković, the original novel is loosely based on the Pridvorica massacre .
Otac na službenom putu: Emir Kusturica: 1986 Lijepe žene prolaze kroz grad: Želimir Žilnik: 1987 Dogodilo se na današnji dan: Miroslav Lekić: 1987 Već viđeno: Goran Marković: 1987 Slučaj Harms: Slobodan Pešić: 1987 Oktoberfest: Dragan Kresoja: 1988 Dom za vešanje: Emir Kusturica: 1988 Tako se kalio čelik: Želimir Žilnik: 1988 ...
Kozara is a 1962 Yugoslav film directed by Veljko Bulajić. It is a well known film of the partisan film subgenre popular in Yugoslavia in the 1960s and 1970s and depicts events surrounding the Battle of Kozara.
Most of the events the two main characters discuss in the play take place during the 1970's and 80's, and the earliest events described in the film take place in 1991. The entire subplot concerning the relationship between Luka's daughter and Teja is added in the film, in the play Luka has a son who is merely Teja's acquaintance.
Ni na nebu, ni na zemlji. In the middle of nowhere. Miloš Miša Radivojević: Svetozar Cvetković, Branislav Lečić, Zoran Cvijanović: Drama Rođen kao ratnik. Born to be a warrior. Guido Zurli: Rik Battaglia, Slobodan Ćustić, Goran Daničić: Action, Drama Skerco: Mladomir Puriša Đorđević: Dragomir Čumić, Lidija Boričić, Mirčeta ...
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
Kuduz is a 1989 Yugoslavian drama film, set in SR Bosnia and Herzegovina written by Abdulah Sidran and Ademir Kenović, who also directed the film. [1] It is based on the true story of the outlaw Junuz Kečo. The film was critically acclaimed [2] and won more than 20 Yugoslavian awards. [3]
Face to Face was an early example of political criticism in Yugoslavian film. [ 2 ] The film highlights conflict between workers fighting for democratization and self-management and the management structures of the socialist party, providing an ultimately optimistic story in support of self-management socialism.